Showing posts with label Eastern Poets. Show all posts
Showing posts with label Eastern Poets. Show all posts

Monday, December 3, 2012

UNESCO Celebrates Itri

Ney via Wikipedia
UNESCO's Celebration of Anniversaries 2012 highlights special people, events and places in many member countries.

France marks 150 years of Claude Debussy
Jordan marks 200 years since the rediscovery of Petra
Spain marks 1,000 years since the founding of Granada
Here in the US, we celebrate 150 years of Edith Wharton

My favorite this year is from Georgia:

300 years of the epic poem: The Knight in the Panther’s Skin (1712) - the printed edition. (The unprinted version has been around since the twelfth century, in case you're curious.)

Sometimes multiple celebrations are in order.

This year Turkey remembers three prominent citizens: Yusuf Nabi, poet and philosopher (1641-1712), Kemal Ahmet Aru, architect and urban planner (1912-2005), and Buhurizade Mustafa Itri, musician (1640-1712).

"Buhurizade Itri (c. 1640-1712) musician, composer, calligrapher and poet, whose real name was Mustafa was a major exponent of Turkish classical music. He was a very prolific composer with more than a thousand works. However, only about 40 of these survived to this day. He lived through the times of five Ottoman Sultans. He became well known during the time of Mehmed IV. As with most composers of his day, Buhurizade Itri was also a famous poet and a calligrapher. He used poetic forms based on the classical Ottoman school of poetry (Dīvān), as well as those based on syllabic meters identified with folk music and poetry. Unfortunately most of his poetry has not survived to this day." via UNESCO

Itri's Neva Kâr is perhaps the most well known. The main instruments are the reed flute, called a ney, and the Saz string instument. The piece is about eleven minutes long, and evokes whirling dervishes because Itri was a Sufi and a poet.

Enjoy!




Wednesday, May 23, 2012

Yunus Emre

Yunus Emre - Büyükçekmece, Istanbul
Let a word mature inside yourself.
Withhold the unripened thought.
Come and understand the kind of word
that reduces money and riches to dust.


-Yusuf Emre
from The Drop that Became the Sea
Good quote for a writer, don't you think?

While Rumi is technically my favorite Sufi poet, I find Yunus Emre interesting too. Some of his verses about love and destiny are just breathtaking. Others? Very didactic.

The poem above, for example, is really refering to peaceful coexistence. Here's the entire section:

A single word can brighten the face
of one who knows the value of words.
Ripened in silence, a single word
acquires a great energy for work.

War is cut short by a word,
and a word heals the wounds,
and there's a word that changes
poison into butter and honey.

Let a word mature inside yourself.
Withhold the unripened thought.
Come and understand the kind of word
that reduces money and riches to dust.

Know when to speak a word

and when not to speak at all.A single word turns a universe of hell
into eight paradises.

Follow the Way. Don't be fooled

by what you already know. Be watchful.
Reflect before you speak.
A foolish mouth can brand your soul.

Yunus, say one last thing
about the power of words—
Only the word "I"
divides me from God.


See? I was reading happily along, and then he refers to himself in third person?

There might be a reason for that though. No one is sure of who this guy really was, if he was one person, or a group of people. (Hey! In the 13th century, all kinds of village people might have written this stuff.) The ambiguity makes him even more interesting, legendary, which is not a bad thing at all, IMHO.

Wednesday, May 16, 2012

Nazim Hikmet

Nâzım Hikmet Ran
I'm in revisions right now, so my research-type blogging is on hold (until June 10), BUT I thought I'd feature some brilliant Turkish writers who inspire me.

The poet on the right is Nobel Peace Price winner, Nâzım Hikmet. His life story is very long, very international, and very interesting. He's one of those Third Culture Kid (TCK) people I so admire.  I won't go into details here, but I do suggest you go read his biography.

His work has a haunting quality that people connect with, so much that his work has been translated into many languages.

So, in honor of the Olympic Games, the British Arts Council will be featuring "World Poems on the Underground", (metro system walls) and the project has chosen to display Hikmet's poem:

Baku at Night

Reaching down to the starless heavy sea in the pitch-black night,

Baku is a sunny wheatfield.

High above on a hill, grains of light hit my face by the handfulls,

And the music in the air flows like Bosphorus. High above on a hill, my heart goes out like a raft into the endless absence,

Beyond memory down to the starless heavy sea in the pitch dark.


You might have heard some of Hikmet's poetry in other places, for example:

"I Come and Stand at Every Door" from Mortal Coil.

This same song was a release by The Byrds too. That was before my time, but some messages are immortal. Ha! An immortal message sung by Mortal Coil.




Wednesday, January 19, 2011

Ghost Words


via kristinjustice @ Flickr

The Moving Finger writes; and, having writ,
Moves on: nor all thy Piety nor Wit
Shall lure it back to cancel half a Line,
Nor all thy Tears wash out a Word of it.

I read a terrible, can't-believe-people-read-this-stuff genre novel (which shall remain nameless) last week. It was full of sterotypes and poor descriptions. But as with every book, I found a great passage. The scene tied into the above verse, and it hit me two ways.

First:

Been wishing I could recall some of my words lately, but no luck. Those three queries I sent last week? Wasted. Two Rs and the other says 4-6 weeks before I'll hear some more silence. Got a twisted feeling in my gut. You know, the one that makes you want to hurl. Maybe the MS wasn't right for them, but then again, my query stinks.

I suppose it's because I spent the last year working on my MS, and not enough time working on the query. Guess I'm trigger happy now. But thanks to my writer friends (Matt and Leigh), I realized my mistake before I was too deep in words of no return. We all learn, but I've also got plenty of doubts about the MS lingering upstairs with the rest of my demons. No amount of tears will bring the queries back...so move I on. My new task is simple: SIMPLIFY.


Second:

In this day of digital cuts and deletions, words can be cancelled from the record, wiped from the hard drive, etc. (Especially when you want to preserve them, it seems!) But Omar Khayyam speaks the truth too. I see it with my own scenes. I write them, edit them, and somehow when a beta reads them...some of those original words manage to reveal themselves. My "ghost words" come back as little blue edits or red comment bubbles, safely restored to me in the margins. Aaaaand we're back to the Multiverse idea.... Two roads...ahh...that's another poet!

Aside:

A Ghost Word is a word suggestive of a non-existent opposite. Wikipedia example: Aftermath = Beforemath

Wikipedia also says: A ghost word is a word that has been published in a dictionary, or has been adopted as genuine, as the result of misinterpretation or a typographical error.

The most famous example in English (and many other languages) is "scapegoat" which is a mistranslation of the word Azazel (In Hebrew: עזאזל) originated by William Tyndale in his 1530 Bible, and appropriated in the King James Version of the Bible (Leviticus chapter 16) in 1611. Confounded by the word, Tyndale had interpreted Azazel as ez ozel - literally, "the goat that departs"; hence "(e)scape goat." According to the Talmud, Yoma 67b, Azazel is a contraction of az (harsh) and eil (strong) and refers to the most rugged of mountains. This identification is supported by Rashi, the great Medieval grammarian, who interpreted Azazel to be the name of a specific mountain or cliff over which the goat was driven[1]. According to R.H. Charles, it was called so for its reputation as the holding place of the fallen angel of the same name[2]. Modern scholars generally reject Tyndale's interpretation and favor one related to a fallen angel/evil demon interpretation. Today in modern Hebrew Azazel is used derogatorily, as in lekh la-Azazel ("go to Azazel"), as in "go to hell".

Every book has something worth remembering! What new ideas did you pick up from your last read? :)

Speaking of Ghost words...I'm changing the blog schedule, so there's no post on Thursdays. I'm fixing a query, starting to outline another WIP, and running out of steam! Plus, I figure I'll actually have some time to visit other blogs more often!
Enhanced by Zemanta

LinkWithin

Related Posts with Thumbnails