Showing posts with label Religion and Spirituality. Show all posts
Showing posts with label Religion and Spirituality. Show all posts

Wednesday, October 19, 2011

Ezan

image via wikipedia.com
The other day I was reading about Executive Producer Grant Scharbo. He just finished filming an episode of MISSING for ABC in Istanbul and he had a couple of interesting points. In fact, I'm going to pull a few lines for you:

“[Istanbul] is a city you can’t fake anywhere else. You can’t shoot somewhere else and say it is Istanbul,”

“We were scouting on a rooftop near Süleymaniye very early in the morning. The call to prayer started and I had never heard that before in my life. For someone who has never heard it, it is a unique sound and beautiful.”

(For the full article: Hollywood production sets in Istanbul’s historic venues)

His remark got me to thinking.

I have a scene with the morning call to prayer in my book. Eerie and beautiful. I don't think there is any substitute. However, there are five times a day that the muezzin broadcasts his call to from those slender minarets. Each has a distinct feeling associated with it. Imagine hearing the call in the middle of the day, with traffic screeching, music blaring, trams braking, etc. The afternoon ezan adds to a vibrant, chaotic feel of a big city like Istanbul, but eerie is not the word I'd use for it.

Sort of cute story:

As newlyweds, dh and I lived in the Göçmen neighborhood, one short block away from the Yesil Cami Mosque in Mersin. On the fifth floor (no elevator). When we moved in that summer, it was so hot that we slept with all the windows open (no AC) and were eaten alive by the mosquitoes (no screens). The first night, I listened to the fan whir and hardly slept. In the early pre-dawn hours, a breeze finally came down from the mountains and we fell asleep.

Loudspeaker at the same height as my window: BLARES THE CALL TO PRAYER!!!! PRAYER IS BETTER THAN SLEEP!!!!

I practically fell out of the bed. My husband jumped almost to the ceiling, swearing that it was judgement day.

Yeah. It's OK to laugh about it. We still do. Funny thing though, no matter how loud that darn megaphone was, eventually we stopped waking up from it.

The moral of my story is that the ezan has different effects, depending upon a character's emotional state.

Something I didn't know:

There are different versions of ezan, and I'm not referring to pronunciation variations. (Turks say ekber as opposed to the Arabic akbar. Bugs me a bit, actually.)

1) The Shi'a have a verse recognizing Ali as a Viceregent. (Better send you to the link where I got that info, because I know somebody is going to squawk about it.)

2) With his ban of the Ottoman Arabic alphabet, Ataturk implemented a Turkish version of the ezan for eighteen years. Clerics rejected it, but had no recourse until Adnan Menderes declared Arabic the liturgical language in 1950 and repealed the ban for an Arabic ezan.

Tanrı uludur
Şüphesiz bilirim, bildiririm
Tanrı'dan başka yoktur tapacak.
Şüphesiz bilirim, bildiririm;
Tanrı'nın elçisidir Muhammed.
Haydin namaza, haydin felaha,
Namaz uykudan hayırlıdır.


via http://en.wikipedia.org/wiki/Adhan




Now, on a completely different topic: The winner of THE NIGHT CIRCUS by Erin Morgenstern is Laura Pauling.

 Thanks for playing!

Wednesday, May 4, 2011

Book of the Djinn

Front of the QuranImage via WikipediaI usually stay away from religious sources to be PC, but recently I was thinking of a specific Qur'anic verse: The sea became ink for the words of the Lord. (Paraphrasing Surah Al Khaf 18:109 here. Don't quote me.)

Sometimes the verse gets mixed up with this one: If the whole of mankind and Jinns were to gather together to produce the like of this Qur'an, they could not produce the like thereof, even if they backed up each other with help and support. (Surah Al Isra 17:88)


And it turns out like this: "If the whole of mankind and the djinn had a sea of ink, they couldn't produce the like of the Qur'an." (See how the memory plays with words?)

The mixed up version makes me think: Is it blasphemous to wonder if a sea of ink would be enough for my edits?

Anyway, I thought I'd give you a little glimpse behind my curtain, despite my inhibitions, and introduce you to one of my resources, the Book of the Djinn - Surah 72 of the Qur'an.

See - growing up, I'd always thought genies were mythological beasts, like fairies. I never realized they fell into mainstream monotheistic religion. And Islam is mainstream in many parts of the world. (Maybe not where I live now...) Of course, Zeus was pretty mainstream in his day and even Zoroaster and his offshoot, Mithras were popular guys. So take it all with a grain of salt and humor me.

My point of the day: There are many millions of people out there who believe in djinn, like people of the west believe in angels, and there's a world of lore besides. Don't we wonder what these people are thinking? Why they think it?

I guess I'm just grumbling because I feel like I'm fighting a tide of preconceived notions. When we say, for example, djinn are dangerous and live in bottles and lamps and such, we're actually mixing up the concept of djinn and shayatin. The Shaytan is the devil - and there's a verse specifically mentioning that you can find the devil in men and djinn alike (Surah Al An'am 6:112). I actually have a few words I'd like to say to that Scheherazade lady about her perpetuation of misinformation. Although, she probably didn't expect her tale to land in a Disney Studio and my djinn aren't innocent of all theological transgression. The folklore is just too tempting to ignore.
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Wednesday, April 27, 2011

A Grandmother's Djinn Tale


Gezende Gorge
via Facebook.com/Mersinliyizbiz
So wishing I was still at Hogwarts. If you haven't been yet, you should go...

I'd like to say thanks for all your help last week with the parallel world/dimension dilemma. I was always leaning toward a "shadow world", but I just had that moment of self-doubt. You know - the one that knaws at you for a week until you work it out. Maybe I should re-definine "moment" in the context of self-doubt? ;)

Alesa mentioned Barzakh, so I thought I'd toss that idea around and compare the eschatology (death sequence) of the east and the west. They are actually very similar. Only the names have been changed to protect the innocent.

1) You die and your soul separates from your body.
2) You examine your life. Probably some atonement here, or what is the point of examination. Yes?
3) Your soul enters a sleep state that lasts until the judgement day.

I suppose Barzakh is another word for Purgatory. Since this is a sort of soulful hang-out spot for the ages, the idea that djinn might exist in Barzakh makes some kind of sense, if you believe them to be purely spirit. Jonathan Stroud uses something like Barzakh for his djinn dimension. (I say dimension because it's not a fully developed world. TY Holly Ruggiero. :) ) From what lore I've heard though, the djinn don't exist in a half-state of being at all - and that is the root of my djinn world.

I'll just tell you a short story I heard:

In the middle of the night (of course) a strange woman comes banging at the village midwife's door, asking for help. The midwife rouses her daughter to let her know she'll be gone for a while and the obliges the waiting woman. They follow a path up into the hillside, going through ever more treacherous and narrow passageways of the rocky gorge (imagine the one in the picture - sans the kayak), until they reach a yurt where a woman is in labor. After a long night of wailing and misery, the child is born and the midwife is compensated for her excellent work with a bag of gold. Then she's led back to her home. In the morning, the midwife wakes and when she opens the bag of gold, she discovers onions instead.

This story was told to me by the daughter, who was herself a grandmother when she told it. She believed every word she said, or at least she convinced me that she did. She also told me that the djinn use your things when you're not. For example, (her example, actually) if you wash and fold your sheets and they're soiled when you open them up the next time, a djinn has used them in your stead.

So I came away with the idea that, in eastern lore, djinn are not just floating around in their own dimension. They are in fact sharing ours. Sometimes even drawing us into theirs. Also, whenever we interact with the djinn, there are glamours involved so that what we see isn't what we think. I'm not sure if it's done intentionally as a trick, if djinn sensibility is skewed based on their reality, or if we just can't bring gold from their world back into ours. The grandmother seemed to think it was a trick, even though she didn't blame the dinn. It's just the way they are.




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Wednesday, March 23, 2011

Secret Rites of Mithras

Double-faced Mithraic relief. Rome, 2nd-3rd ce...Image via WikipediaI'm up to my ears researching Cilician Pirates and any possible ways I can connect them to the Cilician djinn in my story. Last week, a footnote about Mithraism tickled my synapses and sent me off looking for info on that and... Violá! I was at a book swap, when out of only a handful of books what should appear? A hardbound copy of "A History of Pagan Europe" with a blurb on the back about Constantine. Thinking I might find some interesting tidbit about Vanadis or Byzantium, I tucked it under my arm and went on my merry way.

At home later, I randomly opened the book to an underlined passage on Mithraism! Uh...something is pointing me in that general direction.

So today we have: The Secret Rites of Mithras! Or what I can make sense of it. Remember when I connected the djinn to Zoroastrianism? Well, Mithraism is somehow connected to Zoroaster, and guess what - to the Cilician pirates too!

Here's where I started to make two columns -
What I Know and What I Need to Find Out (and a WTF column too, but nevermind that one.)

What I Know:
  • Mithra was one of the deities of the syncretic Graeco-Iranian royal cult founded by Antiochus I, king of the small, but prosperous "buffer" state of Commagene, in the mid 1st century BC (wikipedia)
  • 
    wikipedia
    
  • The first Cilician pirate was supposedly Seleucid, which is right next door to Commagene.
  • Indo-Persian Mithras was born from a rock. He struck water from stone with an arrow. He killed a sacred bull. His pal was the god Sol. He and Sol feasted on the bull. Then Mithras ascended to heaven in a chariot.
  • Mithras was portayed as a young hero with a dagger and he wore a Phyrigian hat (something to do with liberty which I don't fully understand yet.)
  • In the depiction of the feast, a follower points the caduceus (decidedly Platonic and yet related to Kundalini) at a flame near the base of the altar. (The flame is very significant to a djinn - so is Kundalini.)
  • Mithraists worshipped in underground caves or rooms, usually near a spring or water source. There was usually a basin in the temple. Evidence points to a constellation mural on the ceiling.
  • This guy on the right (a leontocephaline) had something to do with them and only them. (separate post next week - I hope!)
  • There are lots of caves in the rock faces of Cilicia Trachea.
What I Don't Know:


  • Was Mithraism founded by Zoroaster? Lots of clues point to him, but there isn't a smoking gun.
  • Was there something to do with equinox and a shift in the way people perceived astronomy? Did someone create a new religion? OK...but why use an avestan (persian, for lack of a better explanation) name?
  • Is Mithras another name for Perseus? Perseus is above Taurus in the stars and the stories share ideas.
  • What does Mithraism have in common with summer solstice? Records indicate a celebration then, which would make sense if Sol was important. Aside - December 25th is an important day for Mithras - his birthday. World religion and spirituality is so intertwined it's hard to find the thread I need.
  • How can I tie in to the djinn world better? Notice there are lots of links to past posts today, so it shouldn't be that difficult, and yet...there's sooo much info I'm in a quagmire. Which is how I felt with Sybil last time I was plotting, so it can only be a good thing...right?
And lastly...Why do I always find the MOST obscure things to research?? I used to think this stuff was so awesome when I was in college....Sigh.

Rudyard Kipling:

MITHRAS, God of the Morning, our trumpets waken the Wall!
' Rome is above the Nations, but Thou art over all!'
Now as the names are answered, and the guards are marched away,
Mithras, also a soldier, give us strength for the day!

Mithras, God of the Noontide, the heather swims in the heat,
Our helmets scorch our foreheads ; our sandals burn our feet.
Now in the ungirt hour; now ere we blink and drowse,
Mithras, also a soldier, keep us true to our vows !

Mithras, God of the Sunset, low on the Western main,
Thou descending immortal, immortal to rise again !
Now when the watch is ended, now when the wine is drawn,
Mithras, also a soldier, keep us pure till the dawn!

Mithras, God of the Midnight, here where the great bull dies,
Look on Thy children in darkness. Oh take our sacrifice !
Many roads Thou hast fashioned: all of them lead to the Light,
Mithras, also a soldier, teach us to die aright!


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Wednesday, March 2, 2011

Labyrinthine

via Wikipedia
I'm busy with the Crusader Challenge and my google reader is about to explode. I need to find a way to organize all the new blogs I'm following. (Any tips appreciated!)

Meanwhile, Blogger is making me insane with all its convoluted words. I feel like I'm on a scavenger hunt for rss feeds and follower buttons. So since I've been meaning to write about labyrinths, today felt appropriate. :)

The maze is a traditional symbol for finding the divine or the self. We authors take characters through a labyrinth each time we give them a goal to accomplish or a MacGuffin (thanks, Matt :D) to locate. 

Underground cities, castle dungeons, serpentine streets, yellow brick roads...all of them work well and lots of writers (including me) use them at particularly difficult moments in a character arc. Movie directors like them too because true labyrinths are visually striking. My favorite is aptly titled Labyrinth, with David Bowie and Jennifer Connelly. I just thought I'd share the particularly poignant lyrics of the movie song, Within You. It illustrates both the internal and external labyrinths of the story.

How you turn my world

You precious thing.
You starve and near exhaust me.

Everything I've done,
I've done for you.

I move the stars for no one.

You've run so long.
You've run so far.

Your eyes can be so cruel,
Just as I can be so cruel,

Oh I do believe in you.
Yes I do.

Live without your sunlight.
Love without your heartbeat.

I... I...
Can't.. live.. within.. you...

I can't live within you

I...I..Can't live within you

And here's the visual, Escheresque stairs and all...


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Wednesday, January 19, 2011

Ghost Words


via kristinjustice @ Flickr

The Moving Finger writes; and, having writ,
Moves on: nor all thy Piety nor Wit
Shall lure it back to cancel half a Line,
Nor all thy Tears wash out a Word of it.

I read a terrible, can't-believe-people-read-this-stuff genre novel (which shall remain nameless) last week. It was full of sterotypes and poor descriptions. But as with every book, I found a great passage. The scene tied into the above verse, and it hit me two ways.

First:

Been wishing I could recall some of my words lately, but no luck. Those three queries I sent last week? Wasted. Two Rs and the other says 4-6 weeks before I'll hear some more silence. Got a twisted feeling in my gut. You know, the one that makes you want to hurl. Maybe the MS wasn't right for them, but then again, my query stinks.

I suppose it's because I spent the last year working on my MS, and not enough time working on the query. Guess I'm trigger happy now. But thanks to my writer friends (Matt and Leigh), I realized my mistake before I was too deep in words of no return. We all learn, but I've also got plenty of doubts about the MS lingering upstairs with the rest of my demons. No amount of tears will bring the queries back...so move I on. My new task is simple: SIMPLIFY.


Second:

In this day of digital cuts and deletions, words can be cancelled from the record, wiped from the hard drive, etc. (Especially when you want to preserve them, it seems!) But Omar Khayyam speaks the truth too. I see it with my own scenes. I write them, edit them, and somehow when a beta reads them...some of those original words manage to reveal themselves. My "ghost words" come back as little blue edits or red comment bubbles, safely restored to me in the margins. Aaaaand we're back to the Multiverse idea.... Two roads...ahh...that's another poet!

Aside:

A Ghost Word is a word suggestive of a non-existent opposite. Wikipedia example: Aftermath = Beforemath

Wikipedia also says: A ghost word is a word that has been published in a dictionary, or has been adopted as genuine, as the result of misinterpretation or a typographical error.

The most famous example in English (and many other languages) is "scapegoat" which is a mistranslation of the word Azazel (In Hebrew: עזאזל) originated by William Tyndale in his 1530 Bible, and appropriated in the King James Version of the Bible (Leviticus chapter 16) in 1611. Confounded by the word, Tyndale had interpreted Azazel as ez ozel - literally, "the goat that departs"; hence "(e)scape goat." According to the Talmud, Yoma 67b, Azazel is a contraction of az (harsh) and eil (strong) and refers to the most rugged of mountains. This identification is supported by Rashi, the great Medieval grammarian, who interpreted Azazel to be the name of a specific mountain or cliff over which the goat was driven[1]. According to R.H. Charles, it was called so for its reputation as the holding place of the fallen angel of the same name[2]. Modern scholars generally reject Tyndale's interpretation and favor one related to a fallen angel/evil demon interpretation. Today in modern Hebrew Azazel is used derogatorily, as in lekh la-Azazel ("go to Azazel"), as in "go to hell".

Every book has something worth remembering! What new ideas did you pick up from your last read? :)

Speaking of Ghost words...I'm changing the blog schedule, so there's no post on Thursdays. I'm fixing a query, starting to outline another WIP, and running out of steam! Plus, I figure I'll actually have some time to visit other blogs more often!
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Wednesday, October 27, 2010

Zoroastrianism

FaravaharImage via Wikipedia
I just love the word...

Zoroastrianism has nothing to do with Zorro, the masked avenger. It's actually the world's oldest monotheistic religion. I'm sure some of you have heard of it. Sometimes the religion is referred to as Mazdaism. (Parsi for my friends in India.) Still not ringing a bell?

Here's the skinny:

In ancient Persia, a man named Zoroaster went into the river and came out enlightened. He then focused his worship on the Ahura Mazda, or the creator. All good comes from the creator, who will reward followers on the last day with immortality and lots of other desirable things. Meanwhile, the evil Angra Mainyu is ever upsetting the tranquility of man.

Zoroastrians worship in a fire temple, as fire is the medium for spiritual wisdom and insight. Worshippers offer sandalwood and frankincense to the flames there. In fact, the temple fire (eternal flame) in Yazd has been burning continuously for 1,500 years.

If some of this sounds familiar, it may be because the ideas of heaven, demonology and fire show up in later monotheistic religions.  Parallels extend even to the holy spirit and the flame of enlightenment it bestowed on the disciples.

For me, the whole idea of getting to the root of things is what matters because, for my djinn, fire is the source of life.

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Friday, October 1, 2010

Slither

I never saw any snakes in Turkey, but that doesn't mean they're not there. Serpents, like the Eastern Sand Viper in the pic, love the hot, dry climate.  I'm sure they're hiding between all those lovely limestone rocks littered everywhere.  Poor things just want to be left alone and I'm happy to oblige. If you're really interested, there's a whole list of the ones found in Turkey on this link.

Snakes are usually a sign of bad things in literature. Just like in the local tragic fairy tale of The Seed, the bad guy is usually a snake, slithery and poisonous. In religion and spirituality though, the snake can have much nicer connotations...

...like the Ouroboros, a snake or dragon, with it's tail in its mouth.  It represents the cycle of life and death.  Snakes are symbolic of renewal because they shed their skin every year. They're even worshipped as gods by many cultures. Egyptians revered the snake and made it part of the Pharaoh's crown.  Shiva and Vishu are depicted with one around the necks. Revered Hindu Ichchhadhari snakes can take the shape of any creature (Great book idea for somebody here!). Greeks believed that creatures and even gods (like Medusa) with snake characteristics were simply bound to the earth, not nececcarily evil. And of course, you still remember my post about Kundalini.


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